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Junot Diaz
Born: December 31, 1968 in Santo Domingo, Dominican Republic
Nationality: American
Occupation: College teacher
Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 258. Detroit, MI: Gale. From Literature Resource Center.
Full Text: COPYRIGHT 2009 Gale, Cengage Learning


In his novel and short stories, Díaz focuses on the Dominican diaspora, tackling such issues as the immigrant experience, poverty, family struggles, and adolescent male identity. He received a John Simon Guggenheim Fellowship for fiction in 1999. Díaz's novel, The Brief Wondrous Life of Oscar Wao (2007), garnered the National Book Critics Circle Award for best novel of 2007 and the 2008 Pulitzer Prize for fiction.

Biographical Information

Díaz was born in the Dominican Republic in 1968, the middle of five children. He immigrated to the United States as a child and grew up in New Jersey. Díaz attended Rutgers University and later earned his master's degree in writing from Cornell University. He worked several odd jobs until Story magazine published his short story "Ysrael." The story was republished in 1996 in Díaz's first book, a short story collection titled Drown (translated into Spanish as Negocios 1997). Díaz later published The Brief Wondrous Life of Oscar Wao. He has worked as a writing professor at Syracuse University and the Massachusetts Institute of Technology.

Major Works

The short stories in Drown, many of which appeared first in the New Yorker magazine, center on adolescent characters growing up in the Dominican Republic, New Jersey, and New York. The collection contains "Aurora," which follows a group of teenagers addicted to crack, and "How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie," which offers a sardonic look at masculinity, class, and race consciousness in the guise of dating advice to boys. Themes of poverty, drugs, sex, and family turmoil link the stories, and many feature Yunior--a character several critics have described as Díaz's alter ego--as the narrator. Yunior also narrates The Brief Wondrous Life of Oscar Wao, which introduces Oscar de León as the protagonist. Oscar, an overweight first-generation Dominican American obsessed with science fiction, fantasy, and comic books, struggles to meet women and overcome his loneliness. The narrative of the novel moves to the Dominican Republic to explore Oscar's family history, describing how his family members lived under the harsh dictator Rafael Trujillo. The book draws a connection between Oscar's misery and his relatives' suffering, revealing that a curse, known as fukú, plagues his family. Critics have underscored Díaz's affinity for blending English and Spanish in the same sentence, coupled with his frequent references to comic book characters and pop culture phenomenon, usually without any accompanying explanations. Díaz has remarked that this is an intentional tactic designed to signify the plight of "outsiders" or immigrants who are not privy to the full nuances a native speaker possesses. Diaz's assertion is that everyone is an outsider at some point. In an interview he stated that "... [P]art of what I was trying to get at when writing [The Brief Wondrous Life of Oscar Wao] is ... I wanted everybody at one moment to kind of feel like an immigrant in this book, that there'd be one language chain that you might not get. And that it was OK. ... [T]he experience that most of us have in the world is that we tend to live in a world where a good portion of what we hear, see and experience is unintelligible to us. And that to me feels more real than if everything was transparent for every reader."

Critical Reception

Díaz received an overwhelming amount of attention and praise for Drown upon its debut. Major news publications--including Newsweek, USA Today, and The New Yorker--celebrated his talent, and many heralded him as one of the United States' best new writers of the year. Ana Radelat echoed the opinions of many critics when she observed, "The young writer has already left a legacy: a narrative voice and dialogue that straddles two cultures, mixing street-smart New Yorkese with Spanish to lyrically recreate an authentically immigrant language." A few reviewers found fault with Díaz's language, as Rob Jacklosky argued Drown demonstrates "too much reliance on 'street' constructions that already sound quaint." Reviewers welcomed the publication of The Brief Wondrous Life of Oscar Wao, which came eleven years after Díaz's first book. Some critics focused on the contrast between Oscar's shyness, interest in academics, and failure with women and Yunior's aggressive masculinity. While the novel received mostly favorable reviews, some critics complained about its language, with Carlin Romano stating that the book contains "many badly written passages and a hodgepodge of repetitive riffs on teenage sexuality, Caribbean exoticism, and 'character is fate.'" Most others, however, lauded the novel. Edwidge Danticat commented "The Brief Wondrous Life of Oscar Wao is epic, not only in its historical rendering of heartbreaking violence, of a cross-generational, exiled family, but in its language: a courageous patois from the streets of New Jersey, via the Spanish-speaking Caribbean, flying right up and into the face--and the canon--of great literature."



  • Drown [Negocios] (short stories) 1996
  • The Brief Wondrous Life of Oscar Wao (novel) 2007




  • Broun, Bill. "Romance Out of Reach." Times Literary Supplement 5470 (1 February 2008): 21.
    Applauds The Brief and Wondrous Life of Oscar Wao, asserting that the novel leaves readers to marvel at "the way a work of art can imitate, if not reproduce, the wonder of a single small life in New Jersey."
  • Cheuse, Alan and Robert Siegel. "Díaz's First Novel Details a Wondrous Life." All Things Considered (28 August 2007):
    Cheuse favorably reviews The Brief Wondrous Life of Oscar Wao, applauding Díaz's inventive use of language and unique narrative voice.
  • Deresiewicz, William. "Fukú Americanus." Nation 285 no. 17 (26 November 2007): 36-8.
    Contends that The Brief and Wondrous Life of Oscar Wao challenges notions of national and personal identity in powerful new ways.
  • Díaz, Junot, and Andrea Seabrook. "First Novel Examines 'Dominican-American Sci-Fi Geek'." All Things Considered (14 October 2007):
    Seabrook and Díaz discuss the juxtaposition of the title character in The Brief and Wondrous Life of Oscar Wao with the stereotype of Dominican male self-identity and, more generally, the nature of identity in American life.
  • Díaz, Junot, Armando Celayo, and David Shook. "In Darkness We Meet: A Conversation with Junot Díaz." World Literature Today 82, no. 2 (March-April 2008): 12-17.
    Díaz addresses the nature of language and the relationship between literature and readers, among other matters.
  • Díaz, Junot, and Ilan Stavans. "Driven: Junot Díaz." In Conversations with Ilan Stavans, pp. 47-51. Tucson: University of Arizona Press, 2005.
    Díaz reflects on the immigrant literary genre, contending that the narrative arc of Drown differs from standard immigrant tales of success in the face of adversity to focus instead on issues of maculinity and maleness in the life of Yunior, the collection's narrator.
  • Díaz, Junot, and Jesse Ellison. "I'm Nobody or I'm a Nation." Newsweek (3 April 2008):
    Díaz sees the Dominican experience as universal.
  • Díaz, Junot, and John Zuarino. "An Interview with Junot Díaz." Bookslut (September 2007):
    Díaz discusses the art and craft of writing, highlighting the differences between short story writing and his work on The Brief Wondrous Life of Oscar Wao.
  • Esdaille, Milca. "Same Trip, Different Ships." Black Issues Book Review 3, no. 2 (March/April 2001): 40-1.
    Examines some commonalities and differences between Dominican Americans and African Americans, citing Dominican American authors Díaz, Julia Alvarez, and Loida Maritza Perez, whose works examine racial consciousness in the Dominican American community.
  • Hannan, Jim. Review of The Brief Wondrous Life of Oscar Wao, by Junot Díaz. World Literature Today 82, no. 2 (March-April 2008): 65-6.
    Deems The Brief Wondrous Life of Oscar Wao an evocative and challenging novel.
  • Kelts, Roland. Review of The Brief and Wondrous Life of Oscar Wao, by Junot Díaz. Salon Books (12 September 2007):
    Applauds the stylistic pluck of The Brief and Wondrous Life of Oscar Wao.
  • O'Keeffe, Alice. "Spanglish Surrealism." New Statesman 137, no. 4885 (25 February 2008): 58.
    Praises The Brief Wondrous Life of Oscar Wao for its raw energy and sharp prose.
  • Radelat, Ana. "Junot Díaz." Hispanic (November 2000): 32.
    Radelat offers a short commentary on Díaz's career, underscoring the author's reputation in the literary world and enthusiastically looks forward to the author's first novel.
  • Thompson, Bob. "The Outsider is In: An Immigrant's Stories." Washington Post (20 September 2007): C1.
    Profiles Díaz following the publication of The Brief Wondrous Life of Oscar Wao and comments on issues of male self-identity as expressed in the novel.

Source Citation   (MLA 8th Edition)
"Junot Diaz." Contemporary Literary Criticism, edited by Jeffrey W. Hunter, vol. 258, Gale, 2009. Literature Resource Center, Accessed 23 Feb. 2019.

Gale Document Number: GALE|H1121130000